Sunday, June 24, 2012
Mulcho Man: Where One Writer Finds His Ideas
I love this cartoon because at almost every reading I've either attended or given, the author is invariably asked, "Where do you get your ideas?" The shower seems to be a popular idea incubator among writers.
My ideas, however, usually lurk outside. I've come to believe that they hide out there on purpose, as if to make me live up to a boast I made twenty-seven years ago when Joanne and I were considering purchasing the house we eventually did buy and have lived in ever since: a cozy (realtor-speak for tiny) house on an acre of weedy grass, unruly bushes, and lots and lots of trees--which meant, every autumn, lots and lots of leaves.
"If we buy this place," Joanne said, "We'll need to hire someone to do all the yard work."
"No way," I said in my best Paul Bunyan. "It'll be good exercise for me."
I don't enjoy yard work--never did. But once I'm into it, my mind wanders to whatever writing project is underway. I start talking to the characters as I mow the lawn, eavesdrop on their conversations while I do the edging, play "what if" with plot lines while trimming the $&#(&*** forsythia.
A few years ago, I came up with an idea for cutting back on the amount of lawn I'd need to cut. I created vast beds of mulch around the trees and various bushes and shrubs Joanne had planted. For some reason, she usually undertook these beautification projects while I was away on a business trip. Anyway, my brilliant labor-saving plan shaved a few minutes off the mowing, but added several days each year to increasingly (as I age) back-breaking task of distributing the mountain of mulch dumped in our driveway to their various spots on our cozy little acre.
Today I was chipping my way through a mountain of mulch when one of my major characters approached me. She'd been edited out of several scenes, and I had been considering getting rid of her entirely. She watched me shovel and sweat for awhile and then, just I was about to lug another full wheelbarrow up the hill in front of the house, said, "The story will be stronger without me."
This was not welcome news. We'd been together several years. But she was right. She knew it. I knew it. And as usually happens after an outdoors encounter with one of my characters, I was eager to get back in the house and back to the writing. I just wish that, in this case, that character had helped with the mulch before taking off.
So... where do you get your ideas?
Monday, May 21, 2012
Author Event: The Not-So-Secret Life of the American Teenager
I'm really looking forward to participating in this panel discussion at the New York Public Library on Tuesday, June 5, at 6 p.m. There will be free book bags filled with book swag (first come, first serve), and attendance is free. (Registration recommended, though. You can register here.) If you're in NYC for BookExpo America--or for any other reason, for that matter--please join us.
Here's the official description of the event:
The Not-So-Secret Life of the American Teenager: Bridging the Gap Between YA and Adult Fiction
On this panel, Penguin authors Laura Harrington (Alice Bliss) and James King (Bill Warrington's Last Chance) join forces with fellow YA authors Mari Mancusi (Blood Coven Vampire novels), Veronica Wolff (The Watcher series), and Emily McKay (The Farm) to draw comparisons between Adult literature and the growing YA market. How do these authors craft novels that both teens and adults enjoy? Whether their characters are parents reconnecting with their teenage children or teens battling high school bullies or vampires, each author offers readers a glimpse into teenage life-the milestones, the angst, the blissful moments-that both teens and parents can relate to. Moderated by Lev Grossman, author of the New York Times bestselling novels, The Magicians and The Magician King, these authors discuss books that appeal to readers of all ages. In celebration of "New York Book and Media Week", free goodie bags will be given to attendees while supplies last! This is a free event, there will also be goodie bags filled with free books and other fun "book swag" will be given to attendees on a first come, first serve basis.
Here's the official description of the event:
The Not-So-Secret Life of the American Teenager: Bridging the Gap Between YA and Adult Fiction
On this panel, Penguin authors Laura Harrington (Alice Bliss) and James King (Bill Warrington's Last Chance) join forces with fellow YA authors Mari Mancusi (Blood Coven Vampire novels), Veronica Wolff (The Watcher series), and Emily McKay (The Farm) to draw comparisons between Adult literature and the growing YA market. How do these authors craft novels that both teens and adults enjoy? Whether their characters are parents reconnecting with their teenage children or teens battling high school bullies or vampires, each author offers readers a glimpse into teenage life-the milestones, the angst, the blissful moments-that both teens and parents can relate to. Moderated by Lev Grossman, author of the New York Times bestselling novels, The Magicians and The Magician King, these authors discuss books that appeal to readers of all ages. In celebration of "New York Book and Media Week", free goodie bags will be given to attendees while supplies last! This is a free event, there will also be goodie bags filled with free books and other fun "book swag" will be given to attendees on a first come, first serve basis.
Saturday, May 12, 2012
Wednesday, May 2, 2012
Thursday, March 29, 2012
Submitting a Novel: Proof That Time Stands Still
What do you call the period of time that spans the day you submit your novel to the moment you hear back--thumbs up or down--from an agent or editor?
Back in the day (pre-email), the time between mailing a query letter (or partial or full) and getting a response could be weeks... even months. I know this from years of calendar-watching experience. These days, however, thanks to email, you can get your rejection in minutes. This I also know from personal experience.
In either case, I believe that that period of time is known as "eternity."
It doesn't get any better after you've been published. In fact, there's the added pressure that accompanies a sophomore effort. As soon as you send off the manuscript you've obsessed over for two or three years, those inner demons start happily planting the fields of negativity and uncertainty that line your neural pathways:
The best advice I've received for handling this situation came on the day I learned Bill Warrington's Last Chance would be published. I learned it from Susan Petersen Kennedy, the president of Penguin Group. "Have you started on your next one?" she asked, soon after we'd met. I mumbled something about experimenting with a few different ideas. She shook her head. "No," she said. "You need to get started on the next one right away."
She was right, of course. I did. And a few weeks ago, I finished it. And I'm starting on the next one. Right here, smack dab in the middle of eternity.
Back in the day (pre-email), the time between mailing a query letter (or partial or full) and getting a response could be weeks... even months. I know this from years of calendar-watching experience. These days, however, thanks to email, you can get your rejection in minutes. This I also know from personal experience.
In either case, I believe that that period of time is known as "eternity."
It doesn't get any better after you've been published. In fact, there's the added pressure that accompanies a sophomore effort. As soon as you send off the manuscript you've obsessed over for two or three years, those inner demons start happily planting the fields of negativity and uncertainty that line your neural pathways:- "S/he hates it; that's why you haven't heard."
- "They're all gathered around your manuscript, pointing and laughing."
- "Do you really think this is better than the first one?:
- "That was your one shot, kid. This one is going to finally expose you as the fraud, the one-hit wanna-be writer."
The best advice I've received for handling this situation came on the day I learned Bill Warrington's Last Chance would be published. I learned it from Susan Petersen Kennedy, the president of Penguin Group. "Have you started on your next one?" she asked, soon after we'd met. I mumbled something about experimenting with a few different ideas. She shook her head. "No," she said. "You need to get started on the next one right away."
She was right, of course. I did. And a few weeks ago, I finished it. And I'm starting on the next one. Right here, smack dab in the middle of eternity.
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